about me
Synaesthesia hosts the way I perceive and experience Environment (bodily / personal – social); it reflects my everyday life and it is the filter of my artistic practice. Via Synaesthetic Perception I work on three inter-developed and inter-updated levels: in sound – written - visual. My education [BA in Archaeology and History (Aristotle University of Thessaloniki), MA in Fine Arts (Utrecht School of The Arts, MaHKU), Diploma in Folk dance, seminars
for Diploma in Translation and workshops in History of Art, design, drawing, ceramic art, music and photography] serves my basic need for sheer engagement with Humans in an egalitarian-interdisciplinary Public Space and gets enriched through permanent cooperation with photographers, designers and musicians. I strongly believe in Collectivity.
I communicate myself and my work via SAAR (Artistic Research Social Applied) which gets unfold through audiovisual installations and performances, through Synaesthetic Experiments where Politics, Aesthetics, Ethics, Pop Culture, Activism, Performance Art, Visual Culture, Sound Art and Music acausally interact and coexist. They appear as Synaesthetic Radicant Engaged Literature, as Synaesthetic Radicant Aural Architecture (Radicant is a term – organic form proposed by N. Bourriaud). They are Compositions/ Scenarios oscillating between Aristotle’s Mimesis and Brecht’s dialectical theater and they aspire to provide and charge society with fertile - humanitarian alternatives, aspirations, realities and dreams. Exhibition Space/place: THE STREET.
for Diploma in Translation and workshops in History of Art, design, drawing, ceramic art, music and photography] serves my basic need for sheer engagement with Humans in an egalitarian-interdisciplinary Public Space and gets enriched through permanent cooperation with photographers, designers and musicians. I strongly believe in Collectivity.
I communicate myself and my work via SAAR (Artistic Research Social Applied) which gets unfold through audiovisual installations and performances, through Synaesthetic Experiments where Politics, Aesthetics, Ethics, Pop Culture, Activism, Performance Art, Visual Culture, Sound Art and Music acausally interact and coexist. They appear as Synaesthetic Radicant Engaged Literature, as Synaesthetic Radicant Aural Architecture (Radicant is a term – organic form proposed by N. Bourriaud). They are Compositions/ Scenarios oscillating between Aristotle’s Mimesis and Brecht’s dialectical theater and they aspire to provide and charge society with fertile - humanitarian alternatives, aspirations, realities and dreams. Exhibition Space/place: THE STREET.
